God is the Object of Music Offered as Worship
There is something distinctively different about the music in the Bible and the music in our culture and the difference is mainly the content of the songs. In order for a song to be a Biblical or Christian song is should come from the scriptures or be a response to God. Every song in the scriptures teaches us who God is, pleads for him to act, or celebrates what He has done. Even in the Song of Solomon you have the celebration of marriage which is an institution created by God.
The primary issue about songs in worship isn’t the style (hymns or Choruses) or even the type of instruments used or not used, at it’s foundation a song suitable for worship must have God as it’s object. Churches that divide between contemporary and traditional miss authentic worship because they choose style over substance and divide the body over a non-essential. When we insert preference into the mix we have to ask, are we concerned with God’s preference or our own? The issue about what music should be sung for the purpose of worship is simply this… is it a response to God? does it teach truth about God? does it ask God to move? … in essence is it Godward?
The essence of worship places the value on the one being worshiped not the worshiper. When it comes to using songs in worship, the emotional benefits of a song are secondary to the truth of the song. Is should be noted that your emotions can be wrong and misleading. Not that emotion in worship is bad, but that songs must be evaluated for more than how they make you feel. Worship in song in often very emotional, but it should be emotional because of who God is, not because of how much you like the song.
Music Offered as Worship Should be Quality
Those who lead our churches in corporate worship should be quality driven folks. Everyone from the music minister down to the smallest child in the congregation should do their best to understand the music that they are singing in worship.
Take a look at some of the introductions to the Psalms (Psalm 4:1, 5:1, 6:1, 8:1, 9:1, 51:1). There is a note to the choirmaster about the tune of the song. He should know the song and be familiar with how it is to be played. On some occasions there are notes as to which type of instruments are to be used. Then we also see that the songs have an author and sometimes even a background. The message is clear, “here is a song to be employed for worship. Play it in a specific way, with a specific instrument, according to the design of the author… don’t mess it up.”
Today we have songs that were written to be played in arena’s full of people and those written for more intimate settings. It can be quite unsettling when a praise band sets up to play an arena song to a smaller coffee house type gathering. The band may love the song, but it’s not a fit for the size of the community they are leading. It would be helpful if modern worship leaders would include some suggestions on their songs to help others who want to use them.
It is a difficult job to lead a congregation in singing praise to God. Whoever leads looks for the right songs for the moment for the community they are leading. Musicians and vocalists take music home to practice (How do you offer your best to God without practice?). Then they get together to practice, work out any issues, harmonize, etc. Don’t be fooled, they don’t do all of this in order to pull of a flawless production, they do it to exercise their God given gifts and lead you and I in songs of worship so that we can worship God TOGETHER. They do it so that when we have an awesome encounter with a holy and righteous God we have a method and a mode to offer expressions of praise back to Him. They don’t do it just to show off their talents and gifts… They do it so YOU can JOIN THE SONG! It is not about who is on stage and who isn’t. It is about God, who has gifted and called individuals to lead his people in a response to him of authentic worship through song.
Music Offered as Worship has a Background
You can’t help but notice that when you read some of the Psalms that there is a historical background to the song (see Psalm 51:1 for an example). This provides a great template for worship leaders to share relevant background information about the songs we sing in corporate worship. Some great resources for this are the three volumes “Then My Soul Sings” by Robert Morgan.
Even more contemporary songs have background stories. A simple search of the song title, author and the words “background story” will often yield results. Bellow is a video of an interview with Matt Redman who shares the background on his song, “Heart of Worship.” Though it’s not as popular as it once was, it reveals that these songs don’t arise out or mechanical song writing studios, but often arise out of real life responses to God in current situations.
A worship leader doesn’t need to share the background to every song or even share a background every time they lead, but the background does go a long way toward helping the congregation know how this song is a response to God and the appropriate emotions and sentiments that the song carries. Knowing that Martin Luther wrote A Mighty Fortress is Our God in the midst of depression, illness and persecution can help the people in the congregation see how this song can be their response to God as well.
We’ll look more into music and song as an avenue for worshiping God as well as the benefits of singing to God together in the next post. Until then feel free to like this post, share it, comment below, and be sure to sign up to get new posts sent to you via e-mail (on the top right of this page).